{"id":5382,"date":"2023-11-08T13:27:05","date_gmt":"2023-11-08T13:27:05","guid":{"rendered":"http:\/\/www.ferrolcultura.gal\/?post_type=event&p=5382"},"modified":"2023-11-30T06:57:33","modified_gmt":"2023-11-30T06:57:33","slug":"rambalaya","status":"publish","type":"event","link":"https:\/\/www.ferrolcultura.gal\/index.php\/event\/rambalaya\/","title":{"rendered":"Rambalaya"},"content":{"rendered":"\n

A fusi\u00f3n definitiva entre rock and roll, rhythm and blues e soul<\/strong>. Algo que, cincuenta anos despois, conseguiu Rambalaya<\/strong> no seu novo disco, Only In My Dreams<\/strong>.<\/p>\n\n\n\n

Porque s\u00f3 nos nosos so\u00f1os, Elvis de Stax aparece nestas once canci\u00f3ns gravadas moito m\u00e1is preto, nos Feelback Studio de Barcelona.<\/p>\n\n\n\n

Rambalaya est\u00e1 liderada pola bater\u00eda<\/strong> do seu ide\u00f3logo e principal compositor, Anton Jarl, <\/strong>e completada por Jonathan Herrero \u00e1 voz, Pol Prats ao saxo, David Pastor \u00e1 trompeta, Gerard Nieto aos teclados, H\u00e9ctor Mart\u00edn \u00e1 guitarra e Mat\u00edas M\u00edguez ao baixo.<\/strong><\/p>\n\n\n\n

Innatamente, os instrumentistas crearon o cox\u00edn perfecto para a incrible capacidade vocal de Herrero para balancearse coma se unha canci\u00f3n de berce inocente estivese soando nas nosas cabezas. E brilla e brilla e brilla. Eternamente. Como Elvis en Stax.<\/p>\n\n\n\n

H\u00e9ctor asegura que elixe “Until I See Again” porque lle lembra “a t\u00edpica canci\u00f3n mel\u00f3dica americana de finais dos setenta, moi ao estilo de Roy Orbison ou o Springsteen m\u00e1is primitivo”.<\/p>\n\n\n\n

David sinala o excelente momento no que a voz do seu cantante \u00abentra sobre todo en \u00abOnly In My Dreams\u00bb\u00bb, Jonathan aposta pola grandeza das canci\u00f3ns m\u00e1is mel\u00f3dicas e, curiosamente, a ponte final de \u00abCarnaval\u00bb, tam\u00e9n favorita de Pol e Gerard, e Anton tam\u00e9n escolle \u201cOnly In My Dreams\u201d porque \u201cfoi a primeira canci\u00f3n que compuxen para o disco e sent\u00edn que tocara algo que me emocionaba, algo que non sempre pasa\u201d. Pobres deles. A mi\u00f1a maldade levounos a ter que dicirnos cal \u00e9 o momento que m\u00e1is lles gustou do disco, mentres que eu, e de paso ti, podo quedar con todo. Non s\u00f3 co mencionado, sen\u00f3n tam\u00e9n coa perfecci\u00f3n de “Cry”, con Jonathan chegando a estrelas cuxa luminosidade proporciona o resto. Con \u201cAlways Blue\u201d e esa entrada das trompas na que, se coma min, non se ve a Elvis cubrindo a Glen Campbell, impresi\u00f3n reforzada polo fraseo vocal, quere dicir que non estamos no mesmo plano. Con “Lonesome Land” que nos achega ao evanxeo. Con \u201cRider With No Head\u201d e reminiscencias do mellor Tom Jones. Con “Second Date” e o seu aroma de borde. Ou con “Ata que te vexa de novo”.<\/p>\n\n\n\n

De novo. Elvis est\u00e1 vivo, d\u00edxome un amigo. Pero non, non te pares s\u00f3 niso. Ser\u00eda simplificar demasiado un \u00e1lbum enorme. A\u00ednda que \u00e9 inevitable que os discos, ese obxecto de desexo dos mel\u00f3manos, nos lembren a algu\u00e9n, o reducionismo non pode ser o \u00fanico elemento de xu\u00edzo. E, fuxindo del, Rambalaya atoparon o seu lugar<\/strong>. Son a conxunci\u00f3n perfecta de todo o mencionado anteriormente que, e isto non \u00e9 tan habitual, souberon levar a s\u00faa grandeza a uns sucos. O obxectivo de todo m\u00fasico. Algo que normalmente s\u00f3 ocorre nos teus so\u00f1os. Pero os so\u00f1os \u00e1s veces fanse realidade.<\/p>\n\n\n\n

\n\n\n\n

La definitiva fusi\u00f3n entre el rock and roll<\/strong>, el rhythm and blues<\/strong> y el soul<\/strong>. Algo que, cincuenta a\u00f1os despu\u00e9s ha conseguido Rambalaya<\/strong> en su nuevo disco, Only In My Dreams<\/strong>.<\/p>\n\n\n\n

Porque solo en nuestros sue\u00f1os, el Elvis de la Stax se aparece en estas once canciones grabadas mucho m\u00e1s cerca, en los Feelback Studio de Barcelona.<\/p>\n\n\n\n

Rambalaya est\u00e1 comandado por la bater\u00eda<\/strong> de su ide\u00f3logo y principal compositor<\/strong>, Anton Jarl<\/strong>, y completada por Jonathan Herrero a la voz, Pol Prats al saxo, David Pastor a la trompeta, Gerard Nieto a los teclados, H\u00e9ctor Mart\u00edn a la guitarra y Mat\u00edas M\u00edguez al bajo.<\/strong><\/p>\n\n\n\n

De manera innata, los instrumentistas han creado el colch\u00f3n perfecto para que la incre\u00edble capacidad vocal de Herrero se meza como si una inocente nana sonara en nuestra cabeza. Y brilla, brilla y brilla. Eternamente. Como Elvis en Stax.<\/p>\n\n\n\n

H\u00e9ctor asegura que se queda con \u00abUntil I See Again\u00bb porque le recuerda a \u201cla t\u00edpica canci\u00f3n mel\u00f3dica americana de finales de los setenta, muy al estilo Roy Orbison o el Springsteen m\u00e1s primitivo\u201d.<\/p>\n\n\n\n

David apunta al excelso momento en que la voz de su cantante \u201centra arriba de todo en \u00abOnly In My Dreams\u00bb\u201d, Jonathan apuesta por la grandeza de los temas m\u00e1s mel\u00f3dicos y, curiosamente, el puente final de \u00abCarnaval\u00bb, favorita tambi\u00e9n de Pol y Gerard, y Anton se queda tambi\u00e9n con \u00abOnly In My Dreams\u00bb porque \u201cfue el primer tema que compuse para el disco y sent\u00ed que hab\u00eda tocado algo que me emocionaba a m\u00ed mismo, algo que no siempre pasa\u201d. Pobres ellos. Mi maldad les ha llevado a tener que decirnos qu\u00e9 momento les gustaba m\u00e1s del disco, mientras yo, y de paso ustedes, podemos quedarnos con todo. No solo con lo citado, sino tambi\u00e9n con la perfecci\u00f3n de \u00abCry\u00bb, con Jonathan alcanzando unas estrellas cuya luminosidad aporta el resto. Con \u00abAlways Blue\u00bb y esa entrada de los vientos en las que, si como yo, no ven a Elvis versionando a Glen Campbell, impresi\u00f3n reforzada por el fraseo vocal, es que no estamos en el mismo plano. Con \u00abLonesome Land\u00bb que nos acerca al g\u00f3spel. Con \u00abRider With No Head\u00bb y reminiscencias al mejor Tom Jones. Con \u00abSecond Date\u00bb y su aroma fronterizo. O con \u00abUntil I See You Again\u00bb.<\/p>\n\n\n\n

Otra vez. Elvis est\u00e1 vivo, me lo dijo un amigo. Pero no, no se queden solo con eso. Ser\u00eda simplificar demasiado un disco enorme. Aunque es inevitable que los discos, ese objeto de deseo de los amantes de la m\u00fasica, nos recuerden a alguien, el reduccionismo no puede ser el \u00fanico elemento de juicio. Y, huyendo de \u00e9l, Rambalaya han encontrado su sitio<\/strong>. Son la conjunci\u00f3n perfecta de todo lo citado que, y esto no es tan habitual, han sabido llevar su grandeza a unos cuantos surcos. El objetivo de todo m\u00fasico. Algo que solo suele pasar en sus sue\u00f1os. Pero los sue\u00f1os a veces se hacen realidad.<\/p>\n\n\n\n

COMPRA DE ENTRADAS<\/h5>\n\n\n\n

Ataquilla.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A fusi\u00f3n definitiva entre rock and roll, rhythm and blues e soul. Algo que, cincuenta anos despois, conseguiu Rambalaya no seu novo disco, Only In My Dreams. Porque s\u00f3 nos nosos so\u00f1os, Elvis de Stax aparece nestas once canci\u00f3ns gravadas moito m\u00e1is preto, nos…<\/p>\n","protected":false},"author":7,"featured_media":5383,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"eventcat":[36],"organizer":[],"event_tags":[],"location":[42],"class_list":["post-5382","event","type-event","status-publish","has-post-thumbnail","hentry","eventcat-musica","location-teatro-jofre"],"yoast_head":"\r\nRambalaya - Ferrol Cultura<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/www.ferrolcultura.gal\/index.php\/event\/rambalaya\/\" \/>\r\n<meta property=\"og:locale\" content=\"gl_ES\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"Rambalaya - Ferrol Cultura\" \/>\r\n<meta property=\"og:description\" content=\"A fusi\u00f3n definitiva entre rock and roll, rhythm and blues e soul. 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